3. In「天使心」series, the works are usually divided into two contrasting parts of completely different textures, the left and the right or the upper and the lower and furthermore. For example,(Wish希望之心) has a smooth right part and a wavy left part to create for each part a distinctive visual effect. This way of making art indicates the artist’s delicate mind and it also responds to the Eastern philosophical thinking of Tai Chi that Liang deeply believed. Stillness and movement, yang in the yin, and yin in the yang. It’s the most fundamental essence of life that there is no eternal light nor eternal darkness. In the interlaced frequency of sorrow and joy, life completes its journey.